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Miller, Alfred Jacob Bear Bull, Chief of the Oglala Sioux oil painting


Bear Bull, Chief of the Oglala Sioux
Painting ID::  19435
Miller, Alfred Jacob
Bear Bull, Chief of the Oglala Sioux
1837 Watercolor on paper Walters Art Gallery, Baltimore.

   
   
     

Miller, Alfred Jacob Antoine Clement, The Great Hunter oil painting


Antoine Clement, The Great Hunter
Painting ID::  19436
Miller, Alfred Jacob
Antoine Clement, The Great Hunter
1837 Oil on canvas Walters Art Gallery, Baltimore.

   
   
     

Miller, Alfred Jacob Encampment on Green River oil painting


Encampment on Green River
Painting ID::  19437
Miller, Alfred Jacob
Encampment on Green River
1837 Watercolor on paper Joslyn Art Museum, Omaha.

   
   
     

Miller, Alfred Jacob Interior of Fort Laramie oil painting


Interior of Fort Laramie
Painting ID::  31977
Miller, Alfred Jacob
Interior of Fort Laramie
mk77 1858-60 Watercolor 11 5/8x14 1/8in

   
   
     

Miller, Alfred Jacob Crossing one of the Sources of the Colorado of the West,in the Mountains of the Windsl oil painting


Crossing one of the Sources of the Colorado of the West,in the Mountains of the Windsl
Painting ID::  41438
Miller, Alfred Jacob
Crossing one of the Sources of the Colorado of the West,in the Mountains of the Windsl
mk162 c.1837 9x7

   
   
     

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     Miller, Alfred Jacob
     American Painter, 1810-1874 American painter. From 1831-2 he studied with the portrait painter Thomas Sully in Philadelphia, PA. In 1832 he went to France, where he studied in Paris at the Ecole des Beaux-Arts. He also visited Rome before returning to Baltimore, to open a portrait studio in 1834. Three years later Miller moved to New Orleans, LA, and was engaged by Captain William Drummond Stewart to accompany an expedition to the Rocky Mountains. The journey brought Miller into close contact with the American Indians, whose hunting and social customs he depicted in 200 watercolour sketches, and with the Far West fur trappers at their annual trading gatherings. He was one of the first artists to leave a detailed visual account of the life of the American mountain men (see WILD WEST AND FRONTIER ART). Miller's Rocky Mountain paintings are among the most romantic images of the American West ever created. His works are often panoramic and dramatic, yet he was equally adept at depicting charming, intimate scenes. His free, vigorous painting style brings to life both the American Indian and the rugged pioneer. Such paintings as the Lost Greenhorn

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